March 17, 2010

Listen up: It ain't over til it's over

…and it ain’t over. The iconic Gloria Steinem reminds us why the rights we enjoy should not be taken-for-granted and the miles we have yet to tread.

(Reuters) – A message to all those confident young American women from pioneering feminist Gloria Steinem: For all the advances in women’s rights in the past 40 years, equality remains a distant hope.

As she turns 76 next week, the woman who walked the front lines of American feminism in the 1960s and 1970s — often in a miniskirt, big glasses and buttons with colorful expletives — celebrates her good health and “huge, huge leaps forward.”

But Steinem has plenty of bones to pick with government and society when it comes to women’s rights.

American women workers still earn only 70 cents to men’s $1, women are barred from combat, women’s health care premiums are higher and raising children is not counted as productive work, she says.

While abortion is legal in the United States, Steinem says the reproductive freedom she fought for is under attack, as seen in efforts to include limits on abortion in the health care reform debate now in Congress.

“I thought if we got majority support around issues, that we would succeed, and that is not necessarily the case,” Steinem told Reuters on Tuesday before being honored by the Women’s Reproductive Rights Assistance Project in Beverly Hills.

For those awaiting a woman president of the United States, Steinem throws more cold water on their hopes, claiming she will likely not see that in her lifetime.

Steinem supported Hillary Clinton in her drive to be the Democratic presidential nominee in 2008 and credits her with “changing the molecules in the air a little bit” by making millions more men and women imagine a woman president.

Yet, she still maintains that the United States is not ready to elect a woman president because “female authority is still associated with a domestic setting and seems inappropriate in a public setting.”

“It will take longer, but when we have someone, she will be more likely to actually represent the majority interests of women,” said Steinem, founding co-editor of Ms. magazine.

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December 31, 2008

Popular culture teaching feminism

I have not seen Revolutionary Road yet but Melisa Silverstein’s piece has me more excited than ever.

Revolutionary Road is a tough movie for a woman who grew up after the women’s movement of the 1970s to watch, but after watching it a couple of times I actually think that it should be required watching for all young women who think that feminism is irrelevant. (Disclaimer, I am a consultant to the studio and organized a blogger screening for the film.)

The film tells the story of April and Frank Wheeler living the post World War Two “American dream” that morphs into the American nightmare. It is the era described in the Feminine Mystique by Betty Friedan the book that articulated for women the “problem with no name” which Kate Winslet read while preparing for her role as April. She stated in an interview: “It was the era of prescription medication, you know, and women really starting to believe …Maybe I’m crazy, because I don’t want this life, I think there’s something wrong with me.'” (The Guardian)

April and Frank were was supposed to be different. But they weren’t. They were exactly the same as everyone on their boring suburban street and that’s what was driving them both crazy. But the thing is that Frank had options and choices and given the fact that it is 1955, April did not. Frank went into the city everyday on the train with lots of other men to their boring jobs and April was stuck at home.

She had no choices, no options.

A scene that really shows April’s suffocation is when she takes out the garbage cans and positions them perfectly on the curb. She then looks up and sees all the other garbage cans perfectly positioned on the curbs up and down the street. Her face at seeing all the cans, the disbelief that this has become her life is palpable. Juxtapose that with the scene of Frank standing on the train smoking and breathing in the fresh air and the suburbs fly by. He’s free, she’s in a box.

As Silverstein points out, films that can accurately portray the conditions that led to the second wave of feminism, or the Women’s Liberation Movement, are important for young women AND men today that often believe that feminism is unimportant or outmoded.  The haze of collective amnesia is thick.  It is always striking to me when young women don’t have a sense of their own history as women and lack  a working knowledge of the women and men that paved the way for their own choices. The women and men that do acknowledge gender issues usually proclaim the ever popular phrase, “I’m not a feminist but…”

While I maintain a critical eye on the fabric of popular culture, I am the first to acknowledge and utilize popular culture as a relevant learning tool.  Films like Iron Jawed Angels, North Country, Far From HeavenThe Hours and , shows like Mad Men and Sex and the City provide points of analysis that resonate with many young people and provide opportunities to move beyond their preconceived notions. These films and shows often provide the first puncture mark in the bubbled reality many people have about women, men, gender, feminism’s place historically and in the future.  That’s saying a lot.  I have no doubt that I’ll incorporate this film into my own curriculum.